Showing posts with label body. Show all posts
Showing posts with label body. Show all posts

Wednesday, May 1, 2013


I attended a 'Body Image Workshop' yesterday, thinking that it would be pertinent to my dissertation. The session took time to define what the term body image meant, walked through the history (take a look at the timeline!) of what society deemed a beautiful body  from the ancient greeks till now, and explored how society toys with the concept of the body image via sexualization of young girls. 

At the beginning of the workshop, the participants were asked to write three things we loved about our body, a task I found more difficult than I thought it would be; the natural instinct was to compare myself to others and try to figure out what components of my body out-excelled in an objective sense. I realized that my perception and judgment of my own body depended wholly on placing myself on a spectrum of the girls around me as well as the heavily digitally-altered images of celebrities I see in the media. 

Seventeen Magazine did good when it agreed not to photoshop images of girls in  their contents in response to an online petition initiated by a 14 year-old girl. Some people argue that when ads/magazines do photoshop images of bodies and faces, the images should be marked with a 'photoshopped' symbol, perhaps with a rate of how much they have been tweaked. 

With the rave surrounding the before-and-afters of Miss Koreas of 2013, the discussion on body image and digital alteration is very unsettling and difficult to dismiss because we the girls are the victims as well as culprits of it all.

Monday, April 29, 2013


Monday noon. I'm spending the early hours of the week with this guy here reading about phenomenology and the body. Merleau-Ponty will be the philosophical pillar of my dissertation (due in 5 weeks, yikes) which will be about the treatment of the 'body-character' in the two films Dogtooth(2009) and Innocence(2004). The body has been an overdone topic in film, especially the bodies of young girls but usually in this context, the body is discussed in a Lolita syndrome / psychoanalytical / objectification of women / male gaze / feminist framework, which I will attempt to stay away from. Merleau-Ponty has a fluid way of writing, a beautiful but extraordinarily complex manner of approaching his topic. Many dislike him precisely because of his wound-up and overly-intellectualized stylistic, but I find him brilliant. I hope I do him justice.